Furthermore, Juan Julian alludes to the restorative power of nature, of which sex plays a vital part, when he tells Conchita, "I detect sad trees in your eyes after we make love.". Palomo compares the silence to the one that followed the death of Teodoro, but Ofelia says that this silence is louder "because Juan Julian died before his time, and the shadows of the young are heavier and they linger over the earth like a cloud." Juan Julian asks Palomo to help him with the lanterns, and the two men soon engage in a conversation about love stories. "What does he know about machines?". ." The workers applaud and leave the factory. The men and women remain divided in their loyalties as economic hardship and the pressure to Marela is Ofelia and Santiago's youngest daughter. This means that both notes refer to pages 110-112 of Michael Pollan's book The Omnivore's Dilemma. Rosario was so distraught that her father had to take her home to Cuba, where she would wander naked by the shore at night in hope of meeting her dead lover. Santiago and Ofelia enter, and they are joined by Conchita, who accepts their invitation to have a drink. Something bigger than money," he says. Meanwhile, Marela, Conchita, and Ofelia stand by the seaport waiting for the cigar factory's new lector to arrive. When two or more consecutive notes come from the exact same page number in the same source, and a full bibliography is not used, and it is the first note citing that particular source: 1. Ofelia confesses to her daughters that she has taken some of Santiago's money to pay for the lector's trip. She forms one of two love triangles in the novel, for she is married to Karenin but has an affair with Vronsky. Nathaniel Hawthorne, The Scarlet Letter, 54. Note that APA style doesn’t use ibid. He says that he feels "asphyxiated" when he is in the city, where buildings rob him of precious oxygen. Santiago arrives and is quickly apprised of the situation. Marela enters, modeling the clothes her father gave her. ", Conchita suggests that they should continue reading, but she does not know if she has the courage to do so herself. As a lector, Juan Julian sees himself as a descendent of the cacique, a Taino Indian chief, who translated the "sacred words of the deities." Which is the fourth book in … Cite this article Pick a style below, and copy the text for your bibliography. Irma S. Rombauer, The Joy of Cooking (New York: Simon and Schuster, 1941), 271. Therefore, hearing a lector read while the workers toil has become for her a way of connecting the present to the past. Conchita changes the subject by asking Palomo if he likes the novel that Juan Julian is reading to them. When her father announces the production of a new cigar inspired by the pages of Anna Karenina, Marela models for the label that bears the Russian heroine's name. "And not only did she lose her man," warns Conchita, "she's gone to hell herself." Ofelia, slightly tipsy from the rum, says that alcohol is prohibited because "most Americans don't know how to dance.". Cruz's parents remained steadfast in their opposition to the Castro regime; they bought food on the black market and withheld their son from a highly organized system of physical education classes by having a physician friend declare that Nilo had contracted hepatitis. Copyright © 2020 LoveToKnow. The details of the source can be found in the first note. ", Conchita asks Juan Julian how he became a lector. Their banter is interrupted when they hear the sound of Cheché arguing. She tells Juan Julian to report any trouble to her husband. "And there are no lectors and no good-for-nothing love stories," he adds. Perhaps the most important role of intermediary is performed by the lector. As a descendent of the cacique, or chief Indian, who "used to translate the words of the deities," the lector reads these words aloud from literary classics such as Anna Karenina, educating and informing the oidores, or listeners," who toil in the factory. His point resonated with me. Santiago declares that Juan Julian shall stay. He prefers to live in the country, where he can celebrate the "verdure of nature." and the most recent MLA style guide now discourages the use of Latin abbreviations like ibid. seems inexplicable to those who assemble for the final reading, yet to Marela's devastated mind and spirit this act makes perfect sense. Cruz has received grants from the Theatre Communications Group, the Rockefeller Foundation, and the National Endowment for the Arts. 416 quotes have been tagged as english: Jeffrey Eugenides: ‘Emotions, in my experience, aren't covered by single words. Marela offers that perhaps the real reason Cheché does not like lectors is because his wife, a "southern belle from Atlanta," ran away with the last lector the factory hired. That, she says, is the only person she ever met who was from New England. Fornes avoids ideological constructs when composing her plays, focusing instead on the needs of her characters. ", Perhaps the most constructive criticism comes from Chris Anstey, who, in an article surveying the state of contemporary American theatre, cites what he considers to be the play's most obvious flaw: Cheché is not the main character. Despite strong opposition from his family and the rest of the factory workers, Cheché wants to modernize the cigar factory's operations with machinery that will perform production tasks more efficiently. "If you're looking for a job, we're not hiring …," says Cheché. The following ibid. Anna in the Tropics portrays the lives of cigar factory workers in Ybor City, Tampa, Florida, when a new lector, perhaps the last to ply his trade, is hired. Palomo wants to know more about Anna's lover, especially about what made Vronsky become interested in her. This ritual involves passing the cigar through an intermediary, who facilitates communication with the gods, instead of directly to the person who is supposed to smoke. How did ounce come to be abbreviated as oz.? For more fundamentals of formal writing, take a look at our examples of works cited pages. In the opening act, when Ofelia and her daughters stand at the docks waiting for the lector to arrive, Marela informs her mother that she has written the lector's name on a piece of paper and placed it in a glass of sugar water to increase the chances that he will accept Ofelia's offer of employment. Conchita has an affair with Juan Julian shortly after he arrives; however, she makes no effort to hide the affair from her husband. Cruz won the American Theatre Critics/Steinberg New Play Award for Anna in the Tropics just two days before winning the 2003 Pulitzer Prize for Drama. Without him, many of the workers would have no knowledge of the outside world. Cigar workers gather around Cheché as he tries to explain to Ofelia a piece of machinery he has ordered. Conchita does not deny the accusation. Even though The Joy of Cooking is referenced in notes 6-7, the author and title must still be listed in notes 11-12 since notes 8-10 refer to a different work. In an exchange in which both characters use strong metaphorical language to describe the other's condition, Juan Julian notes a sadness in Conchita's eyes after they make love; he recommends that she listen to a canary sing for five minutes a day to ease her sorrow. By presenting his characters in triangular relationships to one another, the playwright underscores the visceral struggle waged by those who hope to survive. The lectors were the first to be fired when the Depression began, so I set the play in 1929." Another scene in which an intermediary facilitates communication occurs in act 2, scene 3, when Juan Julian's readings permit Marela and Conchita greater freedom of imagination with which to lead their lives and fulfill their dreams, and Ofelia, among others, feels a strong connection to the past as she moves forward into the future. Like the other women in her family, she believes that Juan Julian should continue reading at the factory because "the words he reads are like a breeze that breaks the monotony of [the] factory." When two or more consecutive notes come from the exact same page number in the same source, a full bibliography is used, and it is the first note citing that particular source, refer to the following example: 1. In 2000, Cruz was appointed playwright-in-residence at the McCarter Theatre in Princeton, New Jersey, while receiving a similar appointment at the New Theatre in Coral Gables, Florida, which commissioned and produced Anna in the Tropics in 2002. Santiago threatens to pawn his wedding ring, but Ofelia, in a barbed reply loaded with double entendre that speaks volumes about the state of their marital relations, says that he might as well since "his finger got numb. Palomo sides with Cheché when he tries to have the lector fired even though he, Palomo, enjoys the story of Anna Karenina. As a descendent of the cacique, or chief Indian, the lector interprets the words of the gods and brings them to the "oidores," or listeners. Cheché stands his ground, however. The community grew in size until, by 1890, it had reached a population of 5,500 and was incorporated into the municipality of Tampa as Ybor City. Only the author's last name is given because this work has been referenced in earlier notes. In Marela's opinion, Teodoro didn't have the emotional fortitude to be a lector, for he "couldn't take the love stories … the poetry and tragedy in the novels." My father does me the honor of burying it." A scene that begins as a celebration ends in yet another standoff as Palomo and Juan Julian vie once more for Conchita's affection. "We do have a cigar, señores! Palomo enters the discussion, but Cheché interrupts him when Palomo mentions a lector at a competing factory. Santiago turns the subject to Levin again, asking Ofelia about the woman whom he loves, Kitty. After admitting that the lector reminds him of his wife, Cheché tries to kiss Marela, but she pushes him away, warning him to never touch her again. Within the “Cite this article” tool, pick a style to see how all available information looks when formatted according to that style. in a bibliography always refers to further citations of the same source, but it can be cited in different ways. "Ah, Leonardo is a lector!" Perhaps the play's most romantic example of a triangular character relationship, and the one that re-creates Tolstoy's example faithfully, both in terms of its ardor and tragic outcome, is that of the love triangle between Conchita, her husband Palomo, and Juan Julian. The details of the source can be found in the first note. Manola takes such delight in hearing romantic tales that sometimes she becomes "a sea of tears" when listening to them. Merely being illiterate will lower one’s IQ by 15 to 30 points. Cheché argues that having a lector at the factory will create "another tragic love story." The boy said that he would be too embarrassed to dig a hole in front of everyone in the park, so Conchita took her braid back from him and buried it herself. Many of the displaced workers either returned to their homeland or sought employment in the Tampa bay area. The topic shifts from a real estate transaction in the book to control of the cigar factory, with Santiago admitting that drink impairs his business decisions. Author Biography Conchita and Palomo get into an argument over his inability to appreciate literature. He states and repeats his themes in obvious strokes, and there is much heavy foreshadowing in the play. Introduction He philosophizes on how people allow themselves to get away from nature. Though Santiago has been secluded in the family home, he can see the positive effect the lector's reading has had on the workers. Ofelia discusses with Juan Julian some of the other workers whom he has already met. Greg: Leo Tolstoy began "Anna Karenina" by writing that all happy families resemble one another, while every unhappy family is unhappy in its own way. Ofelia supports the lector's argument by saying that more advertising will help them sell more cigars. 7. Conchita, eager to test her husband's reaction, asks him if hearing about Anna's affair makes him "uncomfortable." She appears for work three days after Juan Julian's death wearing a heavy fur coat, as if to perpetuate the dream of Russia, snow, and romance. Conchita makes a direct comparison between their lives and those of the characters in Anna Karenina but with a twist of irony: "Anna and her husband remind me of us. "I don't know why I married you," Palomo tells Conchita. Centre Georges Pompidou. Juan Julian adds that Vronsky could help her find love and to "recognize herself as a woman all over again." Santiago brings some clothes for her to wear, and she leaves to try them on. Forming the third side of a character triangle, Marela thus enables her parents to embark upon what is at first a heated discussion but which later evolves into a tender recognition filled with romantic yearning and a strong resolve to face the future together. Bottles of rum and glasses are passed around. When Juan Julian asks Marela about the man whom he has just met, she refers to Cheché by his American name, "Chester," and calls him a "clown." Pollan, The Omnivore’s Dilemma, 110-112. His sexual orientation remains ambiguous, yet he seems possessive of Conchita whenever they are among other workers, especially Juan Julian. Low IQ can result from two factors: 1) disfavourable genetics or 2) lack of education. a cigar is lit and passed around to inaugurate the new line of Anna Karenina cigars Santiago has decided to produce. One year, on the second day of February, she gave him a braid of her hair to bury under a tree, as is the custom performed on the feast of Saint Candelaria. Juan Julian is a man who appreciates the revitalizing power of nature, and he contemplates it at every opportunity. However, the date of retrieval is often important. Cheché persists, however, saying that all the other cigar companies have automated production. examples obey The Chicago Manual of Style guide. Palomo and Cheché are the only ones who raise their hands. Which Paris art museum was designed by the architects Renzo Piano, Richard Rogers and Gianfranco Franchini? Palomo, however, deliberately insults Juan Julian by passing the cigar directly to him. Who are some famous female mathematicians? Once Santiago has finished carving the new total, he tries to persuade Cheché to wear his shoe, but Cheché refuses, knowing that his footsteps would erase the figures, thus relieving Santiago of his obligation. Because it was a lector who cuckolded him (one, moreover, from Cuba), Cheché distrusts anyone arriving at the factory to fulfill that role, even if that someone should happen to be a professional like Juan Julian. When Santiago loses the second fight and asks Cheché to lend him two hundred dollars more, Cheché declines, saying that Santiago is "jinxed." Santiago and Ofelia preside over the new cigar brand's inauguration as workers dressed in their finest clothes arrive at the factory. ", Unable to tolerate her parents' bickering anymore, Marela leaves. Ofelia performs the honor of lighting the first cigar, and then a ritual is observed whereby the cigar is passed from one person to another through an intermediary so as to facilitate communication with the gods. Jonathan . She awaits a response from her mother, but Ofelia remains silent. Santiago does not believe that this is the sole reason for his brother's discomfort, and Cheché responds by saying that he still thinks of his Mildred, his wife who ran away with the previous lector. The sky seems bigger, and there is more light. The broader the range of cultural knowledge, Cruz suggests, the more profound becomes the experience of human emotion. He awkwardly tries to woo Marela, though his efforts often end in a leer. He chooses a passage from Anna Karenina in which Anna realizes that she is deceiving herself. He is in love with Kitty. At first Juan Julian believes that she has had too much to drink, but then he realizes that Marela is truly happy. Violence, as depicted by the savage game of cockfighting, suggests that skill, cunning, and might will always win. As Marela reads a passage out loud, Cheché emerges from his hiding place, full of lust and desire for Marela. Palomo attributes his curiosity to a change he's noticed in Conchita, and he begins his questioning again by asking if the lector ever asks about him. According to her, he was so shy that "when he expressed any sort of feeling, he would excuse himself." "Leo Nikolaevich Tolstoy," in Guardian,http://books.guardian.co.uk/authors/author/0,5917,1279539,00.html (accessed November 8, 2004). David Mamet is one of the most celebrated American playwrights of the twentieth century. Spanish and Italian were the two languages most often spoken in the factory. When asked once about the origins of Arcadia, Tom Stoppard replied that he had been reading Chaos, a book about mathematica…, Anna Catherina of Brandenburg (1575–1612), Anna Juliana of Saxe-Coburg-Saalfeld (1781–1860), Anna Maria College: Narrative Description, http://books.guardian.co.uk/authors/author/0,5917,1279539,00.html, http://www.cr.nps.gov/nr/twhp/wwwlps/lessons/51ybor/51facts1.htm, http://www.curtainup.com/annainthetropics.html, https://www.encyclopedia.com/arts/educational-magazines/anna-tropics, Still photographs of the cast that performed. Early in the play, after Ofelia and Conchita have provided Juan Julian with the backgrounds of some of the workers whom he has met, they explain Cheché's opposition to having a lector at the factory, saying that this opposition stems in part from Cheché being from the North and having lived outside their culture. Marela is nervous with anticipation at the lector's arrival, a nervousness that grows with each passing minute. Kiger, Jennifer, "Reinventing History: Playwright Nilo Cruz Rolls History, Literature and Romance into a Pulitzer Prize–Winning Drama," in South Coast Repertory Playgoers Guide, http://www.scr.org/season/03–04season/playgoers/anna/nilo.html (accessed November 8, 2004). What begins as a comical scene ends on a romantic note. 8. Conchita then remarks that Teodoro's replacement didn't last long, for reasons that are explained later in the play. According to Ofelia, Pascual is "A nostalgic at heart … [who] wants to go back to his country and die in Grenada.". "There's nothing like reading a winter book in the middle of summer.". Through Vronsky, Anna learns "a new way of loving … that makes her go back to the lover over and over again.". Drama for Students. Therefore, be sure to refer to those guidelines when editing your bibliography or works cited list. Marela enters dressed in a long black gown like the one Anna wears on the night of the ball, and everyone comments on how beautiful Marela looks. As Nilo Cruz convincingly demonstrates, life in a cigar factory was hard because it was subjected to so much uncertainty and doubt, but that is not to say that it was without its pleasures. Though many of the workers cannot read or write, they can quote lines from classics such as Don Quixote or JaneEyre. Marela arrives for work wearing a coat, her pockets "full of December, January and February." In the above two examples, the publication information is not listed in the note because it will be found in the bibliography. ", Elyse Sommer, writing a follow-up review for the same publication when Anna in the Tropics opened at the Royale Theater on Broadway, notes the play's "predictability and tendency towards historical romance plotting," but, nonetheless, she believes that the play "succeeds in conveying the sense of loss that inevitably accompanies the march of time and progress—and the ability of great literature to reach out to even the simplest readers (and listeners)." Stout offers a unique perspective on Cuba's growth and development as a nation, progress that has been inextricably linked to the cultivation of this valuable export. However, lack of a fresh water supply and an adequate distribution system for his cigars cemented Ybor's decision to move his base of operations to the Tampa, Florida, area, which had an established rail network and a recently improved port facility. Anders, Gigi, "Work and All Play: Nilo Cruz's Play Wins the Pulitzer Prize Despite Great Odds," in Hispanic Magazine, June 2003. His mother would read to him and his siblings while his father worked abroad to earn money to repay his many creditors. "He wanted to know why you stopped loving me.". He is from Guanabacoa, Cuba, and is described as having skin "the color of saffron." ", Palomo opens the book and looks at Conchita as he prepares to read a passage about Anna Karenina's husband and an important decision he has reached. FURTHER READING Juan Julian is well aware of Palomo's insinuations, and he explains that Anna came to Vronsky because "she thought that he could help her." In re-creating an atmosphere of strife, conflict, and division within the factory, Cruz, borrowing a page, figuratively speaking, from Tolstoy's Anna Karenina, uses the relationship of Anna, her husband, and Vronsky as a model for developing character relationships within Anna in the Tropics. Is their influence felt today? A staunch opponent of the new communist government, Cruz's father, a shoe salesman, was incarcerated in 1962 for opposing the increased militarization that resulted from Cuba's ties with the Soviet Union. Anstey, Chris, "It Must Be How It Is: On the Pulitzer Prize for Drama and the State of American Theatre," in OldTownReview,http://www.oldtownreview.com (select "Click here for the full Culture & Comment Archive"; accessed November 8, 2004). Cheché finally relents, but when neither one of them can find a piece of paper upon which Santiago may write a promissory note, Santiago carves the amount he owes on the bottom of Cheché's shoe with a knife, signing his name with an S below the sum. Sommer, Elyse, Review of Anna in the Tropics, in CurtainUp,http://www.curtainup.com/annainthetropics.html (accessed November 8, 2004). Marela insists that it is the responsibility of the living to look after the dead "so they can feel part of the world. Trace the tradition of poets and novelists becoming statesmen in. These personal motivations take yet another dramatic turn when Palomo, wanting to seize control of his wife's affair, suggests that Conchita tell her lover "to make love like a knife" because, he says, "everything has to be killed." . Conchita dismisses Cheché's cynical view as yet another one of his idiosyncrasies, for she says that "Cheché has a knack for turning the smallest incident into a loud and tragic event." Cruz links triangles within triangles as the play approaches its denouement, bringing character's motivations into bold relief. "Every time I lose, I feel that something has been taken from me. Kathryn Osenlund, writing for CurtainUp when Anna in the Tropics appeared at the McCarter Theatre in Princeton, New Jersey, describes the play thusly: "Romantic, yet not hackneyed, richly infused with tradition, Cruz's play quietly glows as it speaks of longings, family, jealousy, and love. She closes the book before he grabs her by the arm. "You look beautiful," he tells her just before Juan Julian joins them. When his turn to pass the cigar arrives, however, Palomo disregards the ritual by handing the cigar directly to Juan Julian—an obvious slight. Their conversation turns toward their marriage. Mamet, who has won numerous prestig…, factory •beery, bleary, cheery, dearie, dreary, Dun Laoghaire, eerie, eyrie (US aerie), Kashmiri, leery, peri, praemunire, query, smeary, teary, theo…, Herzog Plot Summary They settle on three gunshots as the proper number, and soon everyone leaves to go outside." Moreover, when Cheché's attempts to mechanize the factory prove unsuccessful, he takes his revenge by killing the lector, whom he blames for upholding a tradition that, in Cheché's view, has no practical application in a modern age. 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